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Beyti Beytak. My Home is Your Home. La mia casa è la tua casa

Travelling Exhibition

Art Mill Museum

This two-part exhibition explores how forms of hospitality are embodied in the architecture and urban landscapes of the Middle East, North Africa, and South Asia (MENASA).

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Marking the first official participation of Qatar in the 19th International Architecture Exhibition – La Biennale di Venezia, Beyti Beytak. My Home is Your Home. La mia casa è la tua casa examines how modern and contemporary architecture responds to the needs of communities while reimagining a sense of belonging.

The exhibition features an installation in the Giardini della Biennale and a presentation at the ACP-Palazzo Franchetti.

As we continue to shape a cultural landscape of dialogue and exchange, this exhibition serves as a testament to Qatar’s role in advancing cultural diplomacy and fostering a deeper understanding of our diverse architectural heritage.

Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, Commissioner of the Qatar Pavilion and Chairperson of Qatar Museums

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Yasmeen Lari, Community Centre, Doha, 2024. © Qatar Museums

In the Giardini, on the site of the future Qatar Pavilion, Pakistani architect Yasmeen Lari’s Community Centre (2024) showcases Lari’s humanitarian, social, cultural, and architectural development model. The temporary installation, a bamboo structure, uses techniques that were deployed by the architect as part of relief efforts prompted by the Heritage Foundation of Pakistan, an organisation she co-founded in 1980. The foundation continues to establish shelters and villages for those suffering from a devastating earthquake and repeated flooding in Pakistan. The design of the Community Centre—including a perimeter veranda and dome structure topped with a waterproof palm frond roof—highlights the adaptability of bamboo, used to construct the entire centre through varied structural assemblies.

Events inside the Community Centre throughout the duration of the Biennale Architettura 2025 will focus on traditional Qatari forms of welcome, including the serving of coffee and dates. Yasmeen Lari’sCommunity Centre (2024) was commissioned by the future Art Mill Museum and was recently installed at the National Museum of Qatar (NMoQ) as part of the landmark exhibition MANZAR: Art and Architecture from Pakistan 1940s to Today.

Pioneering Modern Architects’ Work on Show

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Sumaya Dabbagh, Mleiha Archaeological Center, completed in 2016. Courtesy Dabbagh Architects. Photo: Gerry O’Leary, Rami Mansour

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Rizvi Hassan, Hindupara Community Centre, Rohingya, completed in 2019. Courtesy Rizvi Hassan

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Heneghan Peng Architects, Palestinian Museum, completed in 2016. © Aga Khan Trust for Culture. Photo: Cemal Emden

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DAAZ Office, Jadgal Elementary School, 2017–2020. Courtesy DAAZ. Photo: Deed Studio

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Ajmal Maiwandi, Chihilston Garden and Palace Rehabilitation, Kabul, 2015–2018. Photo: Simon Norfolk

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Abeer Seikaly, Weaving a Home, Tent Al-Namara overlooking the Dead Sea, Jordan, 2020. © Abeer Seikaly

At ACP-Palazzo Franchetti, the exhibition will present the work of more than 30 modern architects, including several who have not previously shown in Venice. Examining three generations of architects that have worked in the MENASA region, the exhibition features drawings, photographs, models, and important archival documentation. Through these materials, Beyti Beytak will explore interconnected themes of community and belonging, organised into sections dedicated to the reinvention of the oasis, city housing, community centres, mosques, museums, and gardens. A section is also devoted to the architecture and urbanism of Doha, which includes several doors from the old city that have been restored with the support of the Aga Khan Trust for Culture.

Beyti Beytak is curated by Aurélien Lemonier, Art Mill Museum Curator of Architecture, Design, and Gardens, and Sean Anderson, Associate Professor at Cornell University, assisted by Virgile Alexandre. The exhibition is designed by the architectural duo Cookies (Federico Martelli and Clément Périssé).